Los cuatrocientos golpes, de François Truffaut.
Francia, 1959.
(Fuente: waltdisneywithblood, vía tresrosasamarillas)
Los cuatrocientos golpes, de François Truffaut.
Francia, 1959.
(Fuente: waltdisneywithblood, vía tresrosasamarillas)
Kill Bill: Vol 2, de Quentin Tarantino.
EUA, 2004.
Henry Mancini - Pink Panther Theme (The Pink Panther: Music from the Film Score)
(Fuente: oldhollywood)
El hombre de la cámara, de Dziga Vértov.
Unión Soviética, 1929.
(Fuente: stemmingsbord, vía sandwichsinmayonesa)
In The Godfather Trilogy, the camera lingers over 20 times on oranges. Some interpreted this presence as an indication of imminent death or danger for the character interacting with the fruit. “It started out as an accident”, said Coppola in DVD commentaries, “but once we realized we had used oranges so frequently in the first movie, we used them purposefully in the others.”
The saga ends with Michael dying, an orange in his hand. [x]
(vía notasdecine)
Liv Ullmann e Ingmar Bergman en el set.
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La hora del lobo, de Ingmar Bergman.
Suecia, 1968.
(Fuente: strangewood, vía criterioncollection)
“Faith is a torment. It is like loving someone who is out there in the darkness but never appears, no matter how loudly you call”.
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(vía entregulistanybostan)
Smoke, de Wayne Wang y Paul Auster.
Alemania-EUA-Japón, 1995.
Andrei Tarkovsky on the set of Solaris.
Wes Anderson photographed by Kevin Scanlon
gif: city girl de W.F. Murnau
Michael Haneke photographed by Kevin Scanlon
Alfred Hitchcock and François Truffaut
Marlon Brando and Maria Schneider on the set of “Last Tango In Paris”